Sideshow Skeletor Costume Build

 The other day I published a post about the construction of Skeletor's Havoc staff based on this statue:

I started with the staff first, but the main goal all along was to build the entire outfit. It turns out I pulled it off:

To see how the whole thing was made, read on...

Building Skeletor's Havoc Staff

When I was a kid I like He-Man as much as anybody, but wasn't really a huge fan. In more recent years, I've chuckled at all of the Skeletor memes, but didn't give it much more thought. Then Sideshow went and released this statue:



Wow.

It's what you'd expect Skeletor to look like if Peter Jackson and Weta Workshop decided to make Masters of the Universe instead of Lord of the Rings. I love the look and I haven't been able to talk myself out of building it lifesize.

So I went ahead and purchased the statue and started noodling over how I would go about building a wearable version of it. Knowing that I may not actually get around to completing the full build, I decided to start with something that would still look cool as a standalone piece; the Havoc staff. I started by scanning the top of the staff using my Revopoint mini 3D scanner. I'm still early in the learning stages of making this device work, but my early attempts show a lot of promise. Here's the scan of the staff head:



After filtering out the noise and smoothing the model a bit, I split it into functional separate parts, then I scaled it up to lifesize.  At that point, it looked like so:



I also used the boolean function to hollow it out to fit a rod down the inside that would fit snugly inside the aluminum tube I planned to use as a handle and cut out space for a six-inch glowing spherical night light that I found here: LINK.

Each of the individual pieces was printed on one of my Zortrax M200 3D printers.  After a  bit of sanding, the main body looked like so:


The horns and the little plate that sits behind the sphere were separately printed.  Here's an early test assembly with the glowing sphere in place:


So far so good:


Of course, a lot of the finer details didn't really survive the transition through the scan-smooth-enlarge-print process. Mostly I lost this scrollwork on the backside:


I basically have no 3D modelling skill, so I began going through the process of adding these details by hand:


The raised portions are built up with "Magic Sculpt" a 2-part epoxy putty I pick up at my local TAP Plastics:

Once the details were roughly applied by hand, I waited for the Magic Sculpt to harden, then I could go back over them with a Dremel and a knife and some sandpaper and refine the edges.  This made the details much sharper:

Of course, a quick coat of primer revealed that there was more work to do:


I used the same process for the bottom tip of the staff:


After a few more rounds of filling and sanding, I attached the horns:

Then the staff was ready for paint.  I started with a couple of coats of Rustoleum "Dark Steel" spraypaint:

Then, as with all things, it needed a heavy blackwash to darken it up and really bring it to life:

Boop:

It's tough to get the whole thing to fit into a single photograph, but here's my best attempt:

And a better angle in slightly dimmer lighting:


But seriously, here's the head of the staff in dim light to showcase the glowing orb:


And again in slightly brighter lighting to showcase the metallic finish:


On the other end, here's the spear tip at the bottom of the staff:

While there are a few things I'd like to change (a different, more interesting lighted globe and a break in the middle of the pole to make it easier to pack and store, among other things), I'm pretty happy with it.

Here's the finished staff leaning against a wall in the hotel room at San Diego Comic Con:

Did I not mention Comic Con?  Oops.

Turns out I was so excited about the building of the Havoc Staff that I went ahead and built the entire costume to go with it:

We'll go into great detail on that build in the next article.

Until next time...

Phase One Clonetrooper Build

 As a young Navy lieutenant station in Newport, Rhode Island back in 2004 I had just started getting into cosplay and prop replica building.  I'd made a passable set of stormtrooper armor from scratch and was looking really excited about the new clone troopers that had appeared in Star Wars Episode II: Attack of the Clones.  

I spent a lot of time looking for whatever reference images I could find and stumbled across a website called starwarshelmets.com.  There you could find all sorts of information about every helmet that had appeared in the original trilogy and suddenly all sorts of images of these new clone troopers.  There was even a page about fan-made clones and even then, just a year or so after the movie had come out, there were a few fans who'd absolutely nailed perfect replicas of this helmet despite the fact that the production itself had used only CGI animated versions for the films.

At that time there were only two really spot on fan-made helmet replicas and no affordable licensed replicas available.  Of the two fan-made replicas, one was a one-off made by someone called "King Jamie" and the other was this beauty made by "Clone Six:"

I didn't really know anything else about it at the time except that it was gorgeous and I wanted one.

Fast forward eight or nine years.  I had moved back to Northern California and gained a bit of notoriety as a capable costume maker.  I had just finished my Ironman suit and had a stack of Halo Spartan armor and the internet was starting to notice me.  

Then one day I get a message through the Replica Prop Forum from a user named "clonesix" asking if I was going to the NorCal RPF get together because he'd really like to meet me in person.  I was more than a bit surprised.  I had no idea where in the world this person was located and not only did he turn out to be in the US, but California.  Northern California even!   He was actually living just outside of Sacramento, not even two hours drive from me in Petaluma.  

I ended up going to the gathering and met Jon (aka "clonesix") and got to see one of his gorgeous suits of armor in person:

Jon told me all sorts of details about the development and construction of the suit and explained that he called himself "clonesix" on all of the forums because of this project.  He had built six clonetroopers for he and his friends to wear to Wondercon.  Only six.  After that he was done making clones and had no plans to make more.

Fortunately, he had given all of the molds and vacforming bucks to his friend Darren who could continue making clones for other fans.  As luck would have it, Darren was there too.  This is him at his tables with a bunch of cool stuff he had brought for show-and-tell:

Darren and I got to talking and ended up collaborating on a few things together.  First, he made the vacformed parts of this suit:

That was our Shae Vizla build.  You can read mroe about it here: LINK.

Somewhere along the way, we worked out a trade and I finally had got me a complete kit to make myself a set of clonesix clonetrooper armor.  Then, before I had a chance to actually build it, I got a second set from him.  These two giant boxes of parts migrated around my shop from corner to corner and shelf to shelf waiting for me to finally get around to doing all of the trimming and assembly, then painting and rigging to make them wearable.  Then when a friend of mine asked me if I could dress him up for a local comic convention at the USS HORNET museum, that was the last little nudge I needed to get this project back on the workbench for a minute.

In the middle of reorganizing the shop again, I dug these two boxes out of my storage shed and laid out the pieces I'd need to make up the full set of clonetrooper armor:

At that point, I had about a week to go before the convention.  

The parts I got from Darren were vacformed perfection.  The plastic was a nice, thick 1/8" high-impact polystyrene.  Stronger than your typical cosplay kits tend to be.  In pretty short order, I had everything trimmed and primed:

The arm and leg parts required a bit of assembly before filling and hiding the seams, but even that didn't take all that long.  Here's two sets of lower legs and the backplate with the resin cast detail insert, all ready to go:

All of the trimmed, assembled parts were primed and given a coat of satin white paint:

Then it was time to start rigging the parts to make them wearable:


While I was in the middle of rigging, wearing the torso armor as seen above, my nephews walked into the shop and told me I looked "ridiculous."  For complete context, they were dressed like so:  


So take their opinions with a grain of salt.

Weathering the painted armor was a matter of lightly dusting the parts with grey primer, then buffing it back off with Scotch pad:


The resulting effect was a very subtle shading in the recesses that really brought out the details in the suit:

Then all we had to do was drive out to Alameda and get Jay all dressed up out in the parking lot:

I was a bit nervous because we'd never had a chance to do any test-fitting or adjustments prior to actually just showing up at the convention, but Jay turned out to be the exact right size for the suit.

Surprisingly he was even able to do stairs:

Once we were on board Jay got around quite a bit:

His girlfriend Renee caught up with us a few minutes later:

I didn't get to see too much of whatever else was going on with the convention.  Jay and I were too busy finding really cool photo opportunities:











At the end of the day we had a lot of fun.  Then we piled the armor into the passenger seat of my car and it was time to go home:

I still have a whole other set of parts to put another clone together.  Stay tuned to see what else I do with those.  It shouldn't take too much longer to make up my mind...

Ivy's Hideout, a Retail Theming Project

 A while back the local comic store, Brian's Comics, announced that they'd be going out of business.  Then shortly after that, I get a call from my friend Mike of Batcave Comics and Toys who tells me that he and his partner Amanda are opening another brick and mortar location in Brian's former space.

This time, they've decided to class it up a bit and hire my crew and me to dress the new shop up and make it look like something completely different.  They were naming the new store "Ivy's Hideout" and wanted to make it look like Poison Ivy from the DC comics had been at work in the space, happily growing her plant minions all over the place.

No problem. 

For starters, here's the blank space when we first stopped by to see what we were working with:

The store is located in the basement of an historical building in the old part of downtown Petaluma, California.  This means that there are very few straight edges or square corners and most of the walls have a few decades worth of previous tenants' improvements for us to work around.

One particular challenge was this mirror at the entrance:

That would be the first things customers would see upon entering the store, but it was in a small alcove they'd pass through before turning around the corner into the rest of the space.  Peeling off one of the mirror tiles revealed that behind the mirror was just a window into the neighboring hair salon.  Not particularly useful for Ivy's Hideout.

So we talked over a few ideas and settled on a scheme to build plant life into the walls and ceiling.  We started by laying out paper mockups of where we could install tree trunk structures:

Since we had no clear blueprints to work from and the oddly-shaped building interior would be tricky to fit pieces into, we made all of the paper mockups in place at the location:

Once we were satisfied that we had a good layout, we went back to the workshop, transferred all of those outlines onto thin plywood, and cut them out:

The plywood flats were then brought back to the store so we could check that everything would still fit.  Then we started adding stringers to stiffen up the thin, floppy parts.  Here you can see Sierra gluing stringers and reinforcing corners while William works on an unrelated project:

For the sections that had to fit around corners, the pieces were placed where they would go on location, then fitted with stiffening frames that were glued in place and screwed together to fix the angles to match the not-at-all-square corners:

With all of the plywood pieces cut and test-fitted and stiffened up, we went ahead and piled on some expanding urethane foam to give them some bulk.  Here's Tia, William, and Sierra rushing through the distribution of the very fast curing, expanding foam:

This ended up taking more than one pass and looked kinda funky:


 

With the extra mass added on, we did a quick bit of rough trimming at the corners where the wall pieces would connect to ceiling pieces and did another round of test fitting at the store:

We would have to do most of the paint and finish work in the shop, so the goal at this stage was to minimize the patch work that we'd need to do at these corners when it was time to finally install everything:

This meant shaving and shaping everything on site like Tia is doing here:

The fitting process went pretty smoothly.  

Then, back in the shop, it was time to take the weird, lumpy monstrosities we'd made, and start whittling them down into the shape of tree trunks and branches.  Here's Rachel roughing out one of the first pieces:

The single most elaborate part was this archway that would be one of the first pieces people would see upon entering the store.  This is me doing a quick dry fitting to see how they look together without a store to attach them to:

The top of the arch was a complex piece that was custom-sized to fit around a low-hanging structural beam in the building:

Rough shaping was done with a reciprocating saw and a few hand saws:

 

Then the shapes would be fine-tuned with files, rasps, and sandpaper:      

In order to hold up to public exposure and to smooth the surface prior to painting, the foam pieces were given two judicious coats of Epsilon PRO epoxy hardcoating:

Here's a "during" shot of one side of the shop as some of these pieces were going through the process:

Once the hardcoat had cured, it was time to move on to painting.  This piece was the first test of our color scheme.  I'd been planning on making them all green, but Rachel talked me into doing the branches and trunks in brown.  She was right too:

So while the rest of us continued with shaping and hardcoating, she was responsible for most of the painting:




Once the paint dried, the parts were given a semi-gloss clearcoat and it was time to begin installation.

This was done in stages, starting with the archway at the entrance:

Everything fit as expected:


The first ceiling pieces were fitted into place around various floor joists and looking pretty good:

Each of the seams were filled, patched, and painted on site:


Just in case we'd need to make adjustments later, some pieces were set aside and finished in a second batch in order to make sure the final pieces would fit properly:
 

Once we'd confirmed that these last pieces would fit as needed, we went ahead and put them through the same process as the rest of the trunks and branches.  Then it was time for green parts.

While the store owners had rounded up a bunch of faux flowers and foliage to flesh out this impossible little garden, we decided we also needed some vines looping their way in and around the ceiling as well.  Fortunately my sales reps from Reynolds Advanced Materials, with no prompting whatsoever, stopped in one day on a routine visit and asked, "hey, any chance you need to make some vines?"

I'm convinced they have my shop bugged.

In any case, they introduced me to Simpact 80A urethane rubber, and a kit that they offer that combines it with rope, a filler material, and coloring agents to make a very convincing version of rubber vines.

The process started with us draping the longest lengths of double braided nylon line we could hang from the rafters in the shop and coating them with the Simpact 80A:

Coating the ropes was just a matter of mixing batches of the liquid rubber and sluicing it on by hand.  Here's Tia, me, and Sierra in the midst of the first glooping:


By itself, this didn't make the rope very vine-looking:

Reynolds sells rubber texture stamps that would help with the next step, but we decided to make our own.  While the rest of the crew was getting the first coat on all of the rope, Rachel was tasked with sculpting out a patch of convincing vine texture:

This rough, barklike surface was boxed in and covered with silicone which cured overnight while we were waiting for the first coat of rubber to cure on the ropes.

The next day we mixed bigger batches of the liquid rubber complete with more color and thickeners, then smeared it onto the ropes with some sand to make the "vines" less ropey.  While that was setting up, the silicone texture stamp was coated with more sand and pressed into the surface to finish the look:
 

This made for some pretty convincing vines:       

Diego was instrumental in the process:

I got to enjoy some of it too:


Once the coated, textured vines had cured, Rachel went back over them with some acrylic paint touchups to bring them to life a bit more:

The next day we went ahead and installed the rubber vines in the ceiling:

Things were starting to really take shape.

The next step for the overall project was adding more greenery and foliage.  Mike and Amanda, the store's owners, had already sourced a massive pile of fake plants and flowers, buy we still made two trips to various hobby and craft stores to add to the collection.  Here's Sierra on one of these trips:


Of course, plastic plants do have a tendency to look like plastic plants:

So we ended up doing a bit of paint touchup and blackwashing most of the greenery that we would later install.  Here's one round of vines and flowers hanging while the paint dried:

And here's Rachel in the middle of a round of paint touchups:

Once we were satisfied that we'd made the fake plants look as real as we could, it was time to haul everything back to the site and start dressing everything up.  We started at the entrance archway:

Then continued to add things all across the ceiling:

Eventually things started to get a bit out of hand:

But we kept going...

Mixed in with all of these plants, we'd also 3D printed a selection of cute little carnivorous plant heads:


These were hardcoated with XTC-3D epoxy resin:

Then each one was delicately hand painted:

Those little guys were mixed into a few nooks and crannies to give folks more interesting things to find as they look around the shop.

Going back to the beginning of this project though, there was that weird, useless mirror space right in the entrance:

We decided this would be a good place to include Ivy herself.  While there have been a great many reinventions and updates to her look over the decades, the owners were particularly partial to the work of Bruce Timm who came up with the look of Poison Ivy from the 90's animated series.  

I asked them if there was a particular image or statue we could use for inspiration and they offered to loan us the original production prototype from the artist who sculpted the master for this one:

As luck would have it, I now own a couple of 3D scanners, so I decided to give it a go with this statue.  Here's the results:

Clearly I still have a bit of learning to do.

Still, the scan data gave me a good jumping off point.  I tasked Rachel with coming up with a good way to situate this character in the window opening where the useless mirror used to be.  She roughed out a couple of quick sketches and this one was my favorite:

Smoothing out my very rough 3D scan and altering her pose was way beyond my own 3D modelling skills, so I reached out to Sean Fields to do the digital sculpting work.  Starting with my scan and Rachel's sketch, in short order he had Ivy looking pretty good:

So once I had the models from Sean, I started slicing her up into bite-sized pieces my print farm could handle and got the robots churning out parts:

Because we were in a hurry, the parts were printed in thicker layers than I would usually use, then smoothed out by hand:

This mostly ended up being Sierra's job while the robots continued churning out parts and the rest of us worked on plant stuff:

She did a great job and in no time at all we had all the seams faired in and a solid epoxy hardcoat to protect the whole thing and make it seamless:

The other pieces of Ivy followed soon after:





In order to mount her to the window recess, we'd need a frame and a backdrop to attach her to. To make the frame, we roughed out all of the parts we'd need in the workshop, then took the parts down to the location to assemble everything right into the hole it needed to fit into:

This meant there'd be no chance that something wouldn't fit:


Back in the workshop, the frame was covered with expanding foam:

Then the foam was carved to shape:


We spent a lot of time test-fitting everything and staring at the results:

Once we were happy with the sculpt, the whole thing was hardcoated:

Then painted to match the other foliage:

Ivy's parts were also painted at the same time:



Once her paintjob was finished, she was screwed down onto the frame and all of the greenery was added in:

We also decided to add this little guy in there somewhere:


Then she was loaded up in the truck for our final installation:           

I was pretty confident everything would fit, but there was still a bit of a relief when she actually slid into place perfectly.

The night before the store was to open, Rachel, Sierra, my girlfriend Shawnon and I spent a couple or three hours adding the final bits of foliage and sprucing up the pieces that were already on site.  

The following morning, the owners held a ribbon cutting ceremony to mark the occasion:

Now Ivy's Hideout was open to the public and Ivy was there to greet them:

As luck would have it, KGO 7 news was doing a story about my shop and managed to document a lot of this project:

So that's a thing we did.

The end result is another fun local installation that will hopefully bring the community joy for years to come.

Stay tuned for the next round of madness.  I'm gearing up for San Diego Comic Con and hopefully I can finish a couple of interesting builds before then.